The amazing collaboration supported by the internet and user-created content never ceases to amaze me both in the inane and profound. The growth of video sharing sites has unearthed numerous media clips that would previously been lost to the ages or only held in the memory of a few people. A hat tip to Scott Lake for forwarding this clip titled "You're Going to Die" to me.

Anyway...to the clip itself. I find it to be an exercise in opposites. Go ahead and watch it first and then I will demonstrate some off those points of opposition. (Note the meat of it doesn't start until after 40 sec in). (For email subscribers click the title above to go to the web page to view)



The narration is done by Vito Acconci , a NY-based performance artist, and the entire work is often credited to him, although the words were written by Timothy Furstnau, and the video itself was done by Dennis Palazzolo.

Furstnau explains on his site his "text uses a strategy employed in much of my textual work of exploring one monolithic idea ad nauseum bonum, but with a bit of a children’s story tone." I could not find any reference to ad nauseum bonum, so one assumes it means an argument by repetition for a good cause. The calling to mind a children's book also strikes an opposing conventional eisdom to the subject of death. The narrarator does set up a pretty even cadence as you listen to the video more.

Some of the text appears to be condescending to those who 'say nice things to you, or tell you wild stories.' But the narrator is only trying to demonstrate his world view which is true to him. The comments on You Tube devolve into: the existence of heaven, the atheist/agnostic vs. Christian debate, how this is depressing to watch. The great part about the dismissal of the 'stories' we tell ourselves, is the narrator usaully says 'But this is OK too."

The deep montone voice of Acconci is devoid of any emotion. He statements are meant to be as such to emphasize these are the facts. I would imagine most people see discussions about dying as emotional and here Acconci plays it to the opposite extreme.

In the end this potentially depressing video strikes a completely opposite tone by stating the knowledge of death makes life meaningful. Which is really the important message here. Some more learned readers might pick up on some Buddhist references in this clip, so feel free to post your insights in the comments.

Piece: You're Going to Die (2000) (video)
Text: Timothy Furstnau
Narration: Vito Acconci
Directed by: Dennis Palazzolo

There is a certain theme surrounding much of the art and music discussed on these pages; that creation is often born of personal suffering. Perhaps no better example of this exists than the life and work of Frida Kahlo.

Born in 1907 in Mexico, Frida was aspiring to be a doctor, when at the age of 18, a tragic bus accident forever changed her life course. Having been impaled by a metal pole, suffering a fractured pelvis among other injuries, she spent her recovery time exploring the world of painting.

She later met and married a man 20 years her senior, a famous painter himself, Diego Rivera. Much of the tragedies she encountered during her life have been portrayed masterfully in Frida's surrealist paintings. Diego called her art, "agonized poetry", and certainly agonizing is one of many words people use to describe her work.

Frida had several great losses in her life. Due to the bus accident, she discovered she wasn't able to carry a pregnancy to term. Desperately wanting to be a mother, both the loss of actual pregnancies as well as the loss of the idea of being a mother come across in her works.
The painting "Henry Ford Hospital"(1932) was painted after one of her miscarriages. This was the very first time in art history that an artist created a painting specific to the death of an unborn child. The painting communicates more than this loss. It also portrays Frida's suffering and isolation which followed. Represented here are 6 objects symbolizing different aspects of her anguish: Model of female reproductive system, a male fetus, a snail (represents the slowness of miscarriage), pelvic bones responsible for the loss, an orchid (symbol of fertility) and an autoclave for surgical instruments.

Although the bus accident happened at age 18, Frida continued to have problems with her spine requiring extended periods at home in traction. This next painting "The Broken Column"(1944) was painted during a 5 month period that she wore a steel orthopedic corset. She wrote in her diary, "To hope with anguish retained, the broken column, and the immense look, without walking, in the vast path...moving my life created of steel".

Notice the cracked iconic column in place of her injured spine and her flesh pierced with nails. The background landscaped is also cracked and open as tears fall from her eyes.


The final painting of suffering to look at is "Without Hope"(1945). The name itself should give indication to the feelings portrayed in this painting. Here again is Frida, stuck in her four poster bed that she spent so much time in. The landscape has become even more barren than the 1944 picture. Above her is a funnel, force feeding her all types of meat products. Again the classic white tears fall.This time of constant pain and isolation from surgeries was more profound knowing that in 1940 she and Diego had divorced. He had not only been caught being unfaithful many times, but in fact had a yearlong affair with Frida's younger sister Cristina. This then was yet another huge loss in her life.

As she became more and more ill, she became very aware of her own mortality. She had had over 35 operations in her lifetime. She wrote of her own death, "I hope the departure is joyful, and I hope never to return". Frida Kahlo died in 1954, thought ultimately to have died of a pulmonary embolus.

If you're in California, the San Francisco Museum of Modern Art is hosting a Frida Kahlo exhibit until Sept. 28, 2008. For Online I suggest The Art History Archive which has over 70 of her works.